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West End Process :: Envelope
For Huntley & Co., the first and foremost concern in design development is the “envelope”. TH can’t talk about it enough! Getting the envelope right – spacial relationships, interior architecture, materials and finishes – means a thoughtful, comfortable home that needs less stuff to look good.
| CONFIGURING THE SPACE |
Reconfiguring an interior is a process – it requires a lot of drawings and plenty of site meetings. It’s important to be as technical and thorough as possible while understanding there will likely be a few surprises and adjustments along the way.
Top photo: One of the pages in the H&Co. drawing set. Bottom L to R: Meeting with the contractor; a study of the circulation in a tight area; drywall in progress.
| MILLWORK |
Millwork is one of the most impactful aspects of an interior. When it’s done well, it can make the house. When it’s done cheaply, it’s like bad teeth – it doesn’t matter how pretty the face is. With this project, our main focus was to reconcile the incongruous architectural details throughout the home and create a more finessed envelope. This included doors, crown, paneling and custom mantels as shown below.
The mantels were designed to complement adjacent millwork for a quieter, more elegant presentation.
| MATERIALS |
Material selection – wood, stone, tile, metal finishes – sets the tone for the home’s atmosphere and lays the groundwork for decorative elements. When selecting a material, we keep everything else in mind. In a bathroom for instance: Are the windows facing north? What type of glass do the vintage sconces have? How white is the tub? These details are part of the “conversation” and influence what marble slab I approve and tile colors I select.
Top L to R: Slab for a fireplace surround; master bath materials, final wood selection for the library.
Bottom: The tile layout for the master bath was a hands-on (and ugh, thighs and knees) process that took several hours. Click photo for a video of the legendary H&Co. attention to detail.
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We hope you’ll join us next week when we’ll share more about the process of specifying furnishings and softgoods! Or take another look at our Concept: West End post to see how this project began.
xo Huntley & Co.
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SHOW-HOUSE // FAUX-CLIENT :: PART III
Sourcing goods and materials for our interior fuels our creativity, but drawings take the design to the next level. After all, a room is only as good as it is functional — we aren’t aiming for beauty just for beauty’s sake. Working out our ideas in AutoCAD ensures that we are on target with scale, proportion and spatial relationships. A well-trained designer can evaluate whether a piece will work in a room or not simply by looking at it. Still, transferring its dimensions to paper (or the computer as in our case) ensures down-to-the-1/8” accuracy. Huntley & Co. is a business built on mindfulness and our drawings are the technical backbone of our work.
The Floorplan___________________________
We start with a floor plan, which guides the flow and circulation of a space. With our clients’ penchant for entertaining, it was important to think outside the traditional box and get creative with furniture placement. Our ‘star’ is the four sided bench that beautifully anchors the room. Varied seating arrangements offer opportunities for independent conversations and debate for our clients’ guests who come from a wide range of cultures, professions and political views. The room is meant to be as warm, interesting and thoughtful as the clients are.
The Elevations___________________________
Elevations reveal how a room’s architecture, furnishings and art will work together. A space won’t look or feel good if there are too many masses, it’s too ‘leggy’, everything is at the same level or the values are off-balance. Deep-diving the millwork, fenestrations and other details gives us the platform we need to make good decisions. Not to mention that “pulling the design up” and seeing it come to life happens to be pretty exciting ; )
The Presentation Board____________________
The presentation board is our opportunity to showcase the tactility of a room. Ambience is affected by the ratio of soft vs. coarse, understated vs. luminous and natural vs. refined materials and textures. We wanted this space to feel glamorous, but totally approachable with an air of intelligent wit. With that in mind we combined fibers like linen, seagrass and rushing with velvet and damask. Then we took it a step further by incorporating lacquered leather, eelskin and electric-colored cowhide. This is a luxurious space where you can kick up your feet and have fun!
The Response___________________________
And because these are the dreamiest of clients, they love everything and will TAKE IT ALL! Orders are placed and construction begins. This next phase is about site visits, management, coordination, follow-up and a lot of patience. But we’re getting our hands dirty and seeing our workrooms do their magic — so we love it!
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Tune in next week for a fun Q&A and the FINAL REVEAL! We will be sharing more insights about our process and the why’s and how’s of a successful design project.
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THE MUSINGS OF DESIGNER TRICIA HUNTLEY
