-
Installing Annapolis (ed. 2)
Last week we shared a behind-the-scenes look at the lighting installation at our Bay Ridge project. This week we are focusing on the WALLCOVERING. Softening the envelope and warming up the interior was a big focus of this design. Once paper is up on the walls (and ceilings in many cases) an interior really starts to feel like a home.
wallcovering installation ::
Our PO with samples of all the papers attached for the paperhanger.
Papering a spacious room requires a ladder and teamwork. The photo at right reveals the texture of the paper.
A soothing beige-on-beige paint and paper combination in the guest bedroom.
(top to bottom) Lining up a paper’s pattern; An installation diagram we sketched for the contractor; The paper freshly hung in the younger daughter’s bedroom.
A subtle grey paper in the final stages of installation in the oldest daughter’s bedroom.
Proof that wallcovering can transform a space. This foyer has become a showstopper in this home.
Thank you Michael for all your great work! Next up is floorcoverings.
-
-
Installing Annapolis (ed. 1)
Huntley & Co. spends months behind the scenes working on our projects. And it isn’t until the last 6 weeks or so that photos are really worth sharing – that’s when we get to the point of actually installing things in a home: lighting and wallcovering first, then floorcoverings, then furniture. We are in the installation phase now at our Bay Ridge project in Annapolis (yes!) and are seeing items that we spec’d or purchased 9+ months ago go up on the walls, ceiling, etc. During the final push, LIGHTING makes a particularly big impact. The placement, style and finish all affect the function and feel of the home. And like jewelry on a woman, it’s these fixtures that can truly ‘light up’ a house ; )
lighting installation ::
Some of the elevations we generated for the contractor and electrician.
The installation of surface mount fixtures in two daughters’ bedrooms – a pendant in the room at left and a pair of wall sconces in the room at right. And yes, sometimes one has to cut 5 (count em, 5!) holes to wire a single fixture.
Determining if/where to install a pinlight in a niche.
Chandeliers, sconces, pendants and lamps we are installing at Bay Ridge. The lighting package is a clean, modern/traditional mix that includes vintage, antiques, and pieces from some of our favorite manufacturers including Ironware, Vaughan, Circa and UEco.
Inspecting a fixture’s finish now that it’s on site.
Vintage sconces in the upstairs hallway. The rest of the lighting will be installed by the end of the week.
Thank you to Bayview Builders for all your great work! Next up is wallcovering.
-
-
Ironware’s Designer Spotlight
In an interview with Ironware International, Tricia answers all your burning questions including what inspires her, what’s on her bucket list and whether she prefers 70s soul, country music or contemporary pop (hint: all of the above).
Ironware Q&A
Who is a designer you admire and why?
Muriel Brandolini. I admire her creativity, fearlessness, passion for craftsmanship and ability to mold her very particular look into something traditional or modern.
Where is your favorite travel destination?
Italy. Rome and Florence are favorites – The Boboli Gardens particularly in Florence.
What or who has inspired your work recently.
I recently watched the documentary ‘Agnelli’ about the life of Gianni Agnelli. His style is legendary. His clothing, grooming, homes, cars, art, mannerisms—all were impeccable, incredibly glamorous, and yet, totally effortless. He embodied midcentury Italian style.
Is there a special detail you always add to your projects?
Bespoke furnishings. We always create custom furniture, lighting and/or softgoods for our projects.
What is the most common mistake you see in interiors?
Uninspired art. Seeing a well-executed interior with art that’s decorative or pedestrian is soul-crushing. An artwork collection should be a mix of genres and price points; some should be thoughtfully curated pieces, others should be “finds” from vacations and flea markets. It shouldn’t be too perfect, too much of the same or purchased based on what your friends own.
What is most exciting to you in your career at this moment?
The landscape of our industry is constantly shifting and it’s become an ongoing challenge for designers. The good news is that I love a challenge. I never thought I would have to explain or defend my professional value at this point in my career, but I’ve come to realize that it ups my game in many ways. I continually pursue new levels of excellence in design and business. That keeps my job exciting and interesting.
How would you best describe your style?
Eclectic yet edited. I like unexpected pairings and a bit of tension wrapped in a thoughtful, comfortable envelope.
Describe a favorite piece in your personal home
I purchased a vintage coromandel screen last year and installed it in my dining room. It has a rich warm wood finish with slightly colored carvings. It has great scale and is both very elegant and a bit weird. It’s flanked by crystal Swedish sconces with my dining table, pink leather chairs and brutalist chandelier completing the arrangement.
What are three (or four!) things you can’t live without besides family, faith and friends?
Comedy radio, cursive handwriting, my Swell water bottle and Nina, my beloved Norwegian Elkhound.
Name something on your bucket list
Going on safari in Africa.
What music are you listening to right now?
70s soul, country and the Sia station on Pandora.
Why do you choose Ironware for your projects?
Ironware has substance. Playing the textural and sculptural against clean lines is part of what makes a Huntley & Co. interior. Ironware is the perfect counterpoint to more tailored furnishings.Ironware x Huntley
(L to R): the Alicia table in an Annapolis project; the Huntley-designed Celine pendant; a master bedroom features the Diego bed. The Celine pendant and a multitude of other gorgeous light fixtures, furnishings and accessories are available to-the-trade on the Ironware International website. HUNTLEYCODESIGN loves IRONWARE!
www.luxeandlucidblog.com
www.huntleyandcompany.com -
West End :: The Reveal
This reveal has been a long time coming. Not because it was only just installed, but because Luxe & Lucid was tied up in a parallel universe after we moved the Huntley & Co. website to another platform. The technical side of small business is the gift that keeps on giving. So we thank you for your patience, and without further ado, we reveal our West End project installation!
* * *
Making it Move-In Ready
———————————————————
Obviously before our clients can move in, we have to install carpet, light fixtures, wallcovering and window treatments. Then, with our backdrop complete, our team is ready to bring in the furniture and accessories.
(top L to R) Living room chandelier install; Master bedroom carpeting in progress; Wallpaper in the third floor den; Installation of master bedroom roman shades.
(bottom L to R) The crew unloading the truck; Opening artwork; Vintage Italian barcart.
(L to R) Setting the stage with flowers and accessories; Paper template for a tricky mirror install; Preparing a vintage music montage for the dining room.
Welcome Home!
———————————————————
Alas, our vision for a classic interior full of cosmopolitan flair has come to life. This is, hands down, our favorite part of the process!
(top to bottom) A custom dining table paired with vintage chairs; Mixed materials in the entryway; A bespoke vanity in a teeny tiny powder room; Unexpected lighting in the kitchen; Dining room details; A chic Italian sofa with lyrical curves anchors the living room.
(top to bottom) Master bath wrapped in handmade tiles and featuring vintage lighting; An engaging mix of pattern and texture in the third floor den; Bespoke linens in the master bedroom – how luxe!
And That’s a Wrap
———————————————————
A big thank you to our wonderful West End collaborators. We hate to say goodbye, but we’re off to design more beautiful spaces …
Tricia gives the resident pup, Barney, a tour of his new home.
To see the gorgeous professional photos of the West End project, visit the Huntley & Co. portfolio. Or take it one step further and help us win a Luxe RED award by voting for this project! Voting closes January 25.
xo huntleycodesign
-
West End Process :: Furnishings
Bespoke, turn-key interiors are a signature of Huntley & Co. First, the architectural envelope and materials are perfected. Next, we turn our process to furnishings and softgoods that complement the space and the client and are unique to the project. Lots of love and labor goes into the design, drawing and specification of these goods.
| FURNISHINGS |
// Living Room channel-back chairs
We custom designed a pair of channel back lounge chairs to maximize flow, circulation and style. Visits to the workroom gave us the opportunity to make adjustments to the design, layout fabric and to monitor progress.
L to R: Leg finish selections; our chair frame gets mocked up in muslin; laying out the large scale fabric.
// Living Room armoire
We source a lot of antique and vintage furnishings for our projects. Sometimes, however, these pieces need modifications to “fit”. This armoire was the perfect scale for the open concept living area and provided much needed storage, but modification to the finish and interior were necessary. New hardware and shirred curtains turned this beauty into functional storage.
L to R: Removing the old finish; specifying all the new details; installation in progress.
// Master Bedroom canopy bed
Each project has its share of logistical challenges – and we love a good challenge because it inspires us to get extra creative. Our process never leaves things to guesswork. When we discovered that the bed, as originally designed, could not be brought up the stairs or through the windows, we had to go back to the drawing board (literally) to custom design a version that would fit.
L to R: Verifying stairwell and doorway dimensions; studio drawing of the custom pieces and parts; Ironware‘s workshop with assembly pre-shipment.
| SOFTGOODS |
// Master Bedroom roman shades & softgoods
Tailored, functional, bespoke. We designed the window treatments and pillows to complement the quietly sophisticated scheme in the master bedroom. Troubleshooting tricky corners and sourcing one-of-a-kind details makes all the difference.
Top: Detailed site measures and schematic review; finished product! Bottom: A pillow workorder; a treasure chest of trim; a well-styled bed.
Stay tuned — Next week we’ll bring this project full circle and share our install with you! And in case you missed the other West End posts, check them out here and here.
xo, Huntley & Co.
Subscribe to our newsletter or find us on Bloglovin’ and you won’t miss a thing ; )
-
West End Process :: Envelope
For Huntley & Co., the first and foremost concern in design development is the “envelope”. TH can’t talk about it enough! Getting the envelope right – spacial relationships, interior architecture, materials and finishes – means a thoughtful, comfortable home that needs less stuff to look good.
| CONFIGURING THE SPACE |
Reconfiguring an interior is a process – it requires a lot of drawings and plenty of site meetings. It’s important to be as technical and thorough as possible while understanding there will likely be a few surprises and adjustments along the way.
Top photo: One of the pages in the H&Co. drawing set. Bottom L to R: Meeting with the contractor; a study of the circulation in a tight area; drywall in progress.
| MILLWORK |
Millwork is one of the most impactful aspects of an interior. When it’s done well, it can make the house. When it’s done cheaply, it’s like bad teeth – it doesn’t matter how pretty the face is. With this project, our main focus was to reconcile the incongruous architectural details throughout the home and create a more finessed envelope. This included doors, crown, paneling and custom mantels as shown below.
The mantels were designed to complement adjacent millwork for a quieter, more elegant presentation.
| MATERIALS |
Material selection – wood, stone, tile, metal finishes – sets the tone for the home’s atmosphere and lays the groundwork for decorative elements. When selecting a material, we keep everything else in mind. In a bathroom for instance: Are the windows facing north? What type of glass do the vintage sconces have? How white is the tub? These details are part of the “conversation” and influence what marble slab I approve and tile colors I select.
Top L to R: Slab for a fireplace surround; master bath materials, final wood selection for the library.
Bottom: The tile layout for the master bath was a hands-on (and ugh, thighs and knees) process that took several hours. Click photo for a video of the legendary H&Co. attention to detail.
* * *
We hope you’ll join us next week when we’ll share more about the process of specifying furnishings and softgoods! Or take another look at our Concept: West End post to see how this project began.
xo Huntley & Co.
-
West End Process :: Concept
One of our favorite Huntley & Co. projects this year was for a young couple who hired us to design and renovate their newly purchased townhouse in the West End neighborhood of Washington. Much to our delight, the duo brought a combination of sophistication and excitement to the endeavor. Translating that into a concept and then into a finished product was a multi-step process — and worth every minute.
* * *
| THE CONCEPT |
Our clients inspired a decidedly cosmopolitan aesthetic. Accordingly, we imagined an eclectic mix of vintage and antique furnishings, unexpected stone and tile, and layers of complex colors and tones. As shown below, the mood board we created conveyed our idea of an elevated yet spirited home – a true classic that’s never boring.
Selected photos clockwise from top left: Cartier Tank watch via Goop; Timothy Corrigan vignette; a crisp Madrid living room by Isabel Lopez-Quesada; a bedroom from Architectural Digest; a corner of Sandra Nunnerley’s home featuring “Diamond” artwork by Kenneth Noland; an austere and elegant marble bathroom.
| HOW WE GOT THERE |
The start of a project is full of excitement and potential. Before diving into design, we take time to fully understand both the space and the client. On the technical side, we site measure the building and generate CAD drawings for study and revision. On the conceptual side, we issue a questionnaire and cull images related to our clients’ answers. The questions range from pedestrian to abstract and are intended to give us practical information as well as insight into their lifestyle and aesthetic.
// Question & Answer
A two page questionnaire sheds light on what’s important.
The client questionnaire is a key part of our initial survey and analysis.
// Pulling Together a Visual Story
We pull images that reference our clients’ feedback … and they share photos as well.
TRAVEL // From a honeymoon spot to favorites in Paris and NYC, these hotels topped our client’s list. L to R: Royal Mansour Marrakesh; George V in Paris; The NoMad Hotel in NYC.
FILM // Playful, witty and adventurous. L to R: Lock, Stock and Two Smoking Barrels; Amélie; The Man From U.N.C.L.E.
MUSIC // Eclectic and soulful music that bridges time and genres including the Hamilton soundtrack and Carla Bruni’s album, Quelqu’un m’a dit.
FASHION // Classic, all-American cool c/o Vince, J. Crew and Celine.
INTERIORS // Rich and sleek. Warm and bright. Tailored and organic. L to R: Interior by Joseph Dirand includes works by Anish Kapoor, Pierre Jeanneret and Paavo Tynell; Patricia Urquiola collection for Georg Jensen; a sculptural Alvar Aalto chair; master suite cabinetry seen on Pinterest.
* * *
We love the conceptual stage of a project. Engaging in a thorough deep dive to excavate both the practical and the magical is the difference between a good project and a great one. Stay tuned for our next post where we transition into design development and project management — when we make the concept a reality.
xo, Huntley & Co.
-
Looking Back / Looking Forward
2017 was quite a year. Despite all the drama, trauma and homegrown insanity in the world – there was plenty of good to celebrate at Huntley & Co. Leave it to design to keep our spirits up. We’re looking back at a great year and looking ahead to even bigger and better things in the 12 months to come. Stay tuned!
Spring
– Traditional Home Designer Panel –
I talked design, business and keepin’ it real with Traditional Home at the Washington Design Center’s Spring Market. Sharing the stage with 3 smart, sassy blondes – Tori Mellott, Liz Levin and Maria Crosby – was a treat. #blondedesignmafia
Photos by © 2017 Kaz Sasahara (www.lancerphotography.com). All rights reserved.
– Washingtonian –
Our petite pied-a-terre project at The Montrose was featured in Washingtonian magazine’s March issue.
Summer
– Bethesda Installation –
We redesigned and installed a family room in Maryland for one of our most beloved clients. We had completed the majority of the house previously and have always enjoyed collaborating with the husband and wife. The room had great bones, so we changed up the finishes and furnishings to complement its geometry and lift its spirit. It lost it’s rigidity (thanks to plenty of sinuous shapes) and now has a healthy dose of verve.
– House Beautiful –
I shared a favorite shade of green in House Beautiful‘s June COLOR section. Bonsai Tint is the perfect summer hue.
Fall
– NOLA –
In September I traveled to New Orleans for a design-filled weekend hosted by native Gretchen Everett. We toured incredible homes, visited all the best antique stores, and of course, ate and imbibed. It was fantastic! The intimate view of New Orleans’ beauty and lifestyle had me seriously considering a move to The Big Easy.
Featured Above: Ann Koerner Antiques, Appartique, Balzac Antiques, Bremermann Designs, Hope Goldman Meyer, Katie Koch Home, Marion Cage and Kevin Stone Antiques.
– The Celine in AD –
My Celine Pendant for Ironware International was included in Architectural Digest’s list of things worth coveting. Thank you AD – I’m a fan too! ; )
Photo c/o architecturaldigest.com
I hope the holidays treated you well and you are excited to tackle the year ahead!
Subscribe to our newsletter or find us on Bloglovin’ and you won’t miss a thing.
** all photos in this post are my own unless noted as otherwise
-
Art to Interior
I love art. I considered curatorial studies for a time while in college. During my first exhibit installation, however, I broke two large glass plates protecting a famous photographer’s work. I concluded pretty quickly that “this is probably not for me”. Still, my love affair continued well into my interior design degree and career. There is almost no genre or medium that I don’t appreciate in some way. A 1982 kinetic sculpture and an oil portrait from the 19th century can both stir my senses. It follows then that artwork sometimes informs my designs.
THE STARTING POINT
Essie, Ruby and Ferdinand – Children of Asher Wertheimer, 1902
It’s hard to not love Sargent. His oil paintings are lush, moody and undeniably beautiful. I chose this work as a jumping off point for a media principal’s office for its sophistication and intimacy.
THE INTERPRETATION
The idea here is art as muse. I pulled what spoke to me – the colors, tones, textures and emotions. My design is an interpretation of the painting, not a copy of it.
Our client’s office is entered by way of an anteroom. The space is a waiting area for visitors and serves as a buffer between her office and the staff workplace. The finish selections and air of elegance are derived from the Sergent painting. But as this is a modern woman’s office and a Huntley & Co. interior, we changed tack by mixing genres and funking up certain elements.
– plan & anteroom elevations –
– office elevations –
Our client is a businesswoman and loving mother. She is worldly, feminine and capable – someone who is both interesting and interested. Her combination of sophistication, warmth and strength is part of what has made her a success in her field. With that in mind, we imbued her workspace with a similar sensibility and furnished it with antiques, modern European pieces and an impressive art collection. We think Mrs. Asher Wertheimer would have approved.
Subscribe to our newsletter or find us on Bloglovin’ and you won’t miss a thing.
-
Whatchu Lookin At?
Vicente Wolf published a book sometime back called ‘Learning to See’. I have always thought that was such a meaningful title. Seeing (and looking, fundamentally) is at the heart of a creative person. What drives artistic and design-minded individuals is a desire to seek out and study what’s interesting, beautiful and/or weird about the stuff of the world.
I’m no exception; I never stop culling the visual data around me. And I have no shame when it comes to capturing what I see on film. I’ll lie down on the sidewalk or crawl in the dirt if I see something worth photographing. Inspiration for my designs can be found in all kinds of places: museums, parks or city streets. It doesn’t matter if I’m looking at a Rodin sculpture or the bark of a tree. Cultivating one’s oeuvre (i.e. learning to see) means looking EVERYWHERE, even in the most unlikely of places.
– 3 unique versions of texture –
Left to right: DIY lattice on a courtyard door in LA; Crepe Myrtle bark in my neighborhood; a broken plate art installation at the 2016 AD Design Show.
Masterfully carved tassels and lace details on a marble statue at the National Gallery of Art.
– a sophisticated collection of swirls and curlicues –
Clockwise from top left: A frozen puddle in West Virginia; an antique carved marble table top at the State Department; an Art Deco planter on a Kansas City sidewalk; an ornamental fabric necklace in a London shop; a felt jewelry display at Anthropologie.
Left: Faux finish inspiration discovered at the Minneapolis Sculpture Garden. Right: A sample of Japanning at the Geffrye Museum in London.
A large mineral sample on display at a mining museum in Creede, Colorado.
So many photos and so little time. This post could have been a mile long, so instead, you can expect a Part II, Part III and maybe even a Part IV of Whatchu Lookin At? Until next time — look, see and soak it all up!
Subscribe to our newsletter or find us on Bloglovin’ and you won’t miss a thing.
** all photos in this blog post are my own : )
LUXE AND LUCID
THE MUSINGS OF DESIGNER TRICIA HUNTLEY
