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Tile Installation Aptitude (part1)
Choosing tile for a project is as fun as it sounds, and yet, it’s a finessed installation that can really knock my socks off sometimes. What may seem simple at first glance is actually the integration of very specific products, planning, and talented pros. Aptitude may be just as important as aesthetics when it comes to tile.
Fitting Tile in the Space
Tiling a wet space, like a full bath, can be surprisingly complex. There are pieces for inside corners, outside corners, cove bases, beaks, caps, stops, etc. The bathroom below required 10 separate tile orders! Can you count how many components of the cream tile are in these 3 photos?
above: The walls in my guest bath are a multitude of creamy, crackle-glazed tiles.
Bringing Together Varying Styles
Selecting all the bath tile from one collection wouldn’t be any fun, so you can’t forget to think about how different shapes and thicknesses (not to mention colors and finishes) will fit together in a space. Your installer will thank you.
above: Chocolate-hue’d Zellige tiles wrap the walls of the shower while a black-and-white floral mosaic covers the main bath and shower floors. A grey marble threshold bridges the gap.
Wait … How do I do all of that without mistakes?
The what/where/how of a tile installation is critical, so we generate elevations and supply them to the team. This allows us to determine tile quantity, prep the installer, and firm up contractor pricing.
Color-coding, highlights, bubbles, strikethroughs … If it isn’t obvious, work this detailed often requires a few revisions!
Screenshot of the Week
“What is eclectic?” was this week’s question on Asked and Answered. It’s funny because I use that term to describe my work, yet sometimes find it hard to define. Below is a Houston foyer (note the beautiful floor tile) that I think embodies the look.
⇓ Click the photo below to see how I break down its eclecticism ⇓
Architecture: Reagan & Andre | Construction: Erin Stetzer Homes | Interior design: Studio McGee | Photography: Lucy Call
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Next week I’ll post a Tile Installation- Part 2 and will share the answer to the quantity question at top. If you are the first to share the correct answer in comments (before I post next week), you’ll receive a complimentary give-away from me!
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TRICIA HUNTLEY | HUNTLEY & CO.
“The glamorous space where tradition and modernity collide.”
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Installing Annapolis (ed. 3)
Now that wallcovering is up, it’s time to layer in the FLOORCOVERINGS at our Annapolis project. Installing carpet and rugs in a home is a sensory blanket of sorts. They reduce ambient noise, soften impact underfoot and warm up cold floors. They can also unify furniture in a large room and make stairs safer. Beauty with benefits – that’s what interior design is all about!
floorcovering installation ::
Got rugs? We do and they are ready to roll!
Installing the first set of three stairs. All three received the same runner style for continuity and balance in the home.
(left) In her office I wanted pattern, but not color. This diamond pattern from Stark expands the space without looking busy. (right) I chose a classic seagrass rug in a round shape for his office. A round rug can work magic in a room. It can soften angular architecture and integrate a disparate furniture arrangement.
Speaking of round rugs, this one for the son’s bedroom is a Missoni pattern. It is spirited yet sophisticated – a style that will carry him into his teenage and young adult years.
(left) A grey and green stripe fills the expansive younger daughter’s room. (right) I chose a blue-grey ribbed style for the older daughter’s room. It marries beautifully with the wallcovering and has just enough slubs and flecking (let’s hope!) to stand up to a teenager.
(top) A view into the dining room and its new graphic but subtle area rug. (bottom) The original sample at left and the artwork for approval at right.
It took months to find the right rug for the guest bedroom. Finally, one day, I found the perfect one. It’s the correct size, style, texture and combination of colors. #needleinahaystack
Isn’t this sample lovely? It’s a custom khotan for the master bedroom. Unfortunately, it’s behind schedule – by a lot – and not on site. It was the first order we wrote for this project, so not receiving it in time was unexpected and very disappointing. We think it will be worth the wait, so we will definitely post photos on Instagram when it does arrive.
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Installing Annapolis (ed. 2)
Last week we shared a behind-the-scenes look at the lighting installation at our Bay Ridge project. This week we are focusing on the WALLCOVERING. Softening the envelope and warming up the interior was a big focus of this design. Once paper is up on the walls (and ceilings in many cases) an interior really starts to feel like a home.
wallcovering installation ::
Our PO with samples of all the papers attached for the paperhanger.
Papering a spacious room requires a ladder and teamwork. The photo at right reveals the texture of the paper.
A soothing beige-on-beige paint and paper combination in the guest bedroom.
(top to bottom) Lining up a paper’s pattern; An installation diagram we sketched for the contractor; The paper freshly hung in the younger daughter’s bedroom.
A subtle grey paper in the final stages of installation in the oldest daughter’s bedroom.
Proof that wallcovering can transform a space. This foyer has become a showstopper in this home.
Thank you Michael for all your great work! Next up is floorcoverings.
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Installing Annapolis (ed. 1)
Huntley & Co. spends months behind the scenes working on our projects. And it isn’t until the last 6 weeks or so that photos are really worth sharing – that’s when we get to the point of actually installing things in a home: lighting and wallcovering first, then floorcoverings, then furniture. We are in the installation phase now at our Bay Ridge project in Annapolis (yes!) and are seeing items that we spec’d or purchased 9+ months ago go up on the walls, ceiling, etc. During the final push, LIGHTING makes a particularly big impact. The placement, style and finish all affect the function and feel of the home. And like jewelry on a woman, it’s these fixtures that can truly ‘light up’ a house ; )
lighting installation ::
Some of the elevations we generated for the contractor and electrician.
The installation of surface mount fixtures in two daughters’ bedrooms – a pendant in the room at left and a pair of wall sconces in the room at right. And yes, sometimes one has to cut 5 (count em, 5!) holes to wire a single fixture.
Determining if/where to install a pinlight in a niche.
Chandeliers, sconces, pendants and lamps we are installing at Bay Ridge. The lighting package is a clean, modern/traditional mix that includes vintage, antiques, and pieces from some of our favorite manufacturers including Ironware, Vaughan, Circa and UEco.
Inspecting a fixture’s finish now that it’s on site.
Vintage sconces in the upstairs hallway. The rest of the lighting will be installed by the end of the week.
Thank you to Bayview Builders for all your great work! Next up is wallcovering.
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West End :: The Reveal
This reveal has been a long time coming. Not because it was only just installed, but because Luxe & Lucid was tied up in a parallel universe after we moved the Huntley & Co. website to another platform. The technical side of small business is the gift that keeps on giving. So we thank you for your patience, and without further ado, we reveal our West End project installation!
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Making it Move-In Ready
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Obviously before our clients can move in, we have to install carpet, light fixtures, wallcovering and window treatments. Then, with our backdrop complete, our team is ready to bring in the furniture and accessories.
(top L to R) Living room chandelier install; Master bedroom carpeting in progress; Wallpaper in the third floor den; Installation of master bedroom roman shades.
(bottom L to R) The crew unloading the truck; Opening artwork; Vintage Italian barcart.
(L to R) Setting the stage with flowers and accessories; Paper template for a tricky mirror install; Preparing a vintage music montage for the dining room.
Welcome Home!
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Alas, our vision for a classic interior full of cosmopolitan flair has come to life. This is, hands down, our favorite part of the process!
(top to bottom) A custom dining table paired with vintage chairs; Mixed materials in the entryway; A bespoke vanity in a teeny tiny powder room; Unexpected lighting in the kitchen; Dining room details; A chic Italian sofa with lyrical curves anchors the living room.
(top to bottom) Master bath wrapped in handmade tiles and featuring vintage lighting; An engaging mix of pattern and texture in the third floor den; Bespoke linens in the master bedroom – how luxe!
And That’s a Wrap
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A big thank you to our wonderful West End collaborators. We hate to say goodbye, but we’re off to design more beautiful spaces …
Tricia gives the resident pup, Barney, a tour of his new home.
To see the gorgeous professional photos of the West End project, visit the Huntley & Co. portfolio. Or take it one step further and help us win a Luxe RED award by voting for this project! Voting closes January 25.
xo huntleycodesign
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West End Process :: Furnishings
Bespoke, turn-key interiors are a signature of Huntley & Co. First, the architectural envelope and materials are perfected. Next, we turn our process to furnishings and softgoods that complement the space and the client and are unique to the project. Lots of love and labor goes into the design, drawing and specification of these goods.
| FURNISHINGS |
// Living Room channel-back chairs
We custom designed a pair of channel back lounge chairs to maximize flow, circulation and style. Visits to the workroom gave us the opportunity to make adjustments to the design, layout fabric and to monitor progress.
L to R: Leg finish selections; our chair frame gets mocked up in muslin; laying out the large scale fabric.
// Living Room armoire
We source a lot of antique and vintage furnishings for our projects. Sometimes, however, these pieces need modifications to “fit”. This armoire was the perfect scale for the open concept living area and provided much needed storage, but modification to the finish and interior were necessary. New hardware and shirred curtains turned this beauty into functional storage.
L to R: Removing the old finish; specifying all the new details; installation in progress.
// Master Bedroom canopy bed
Each project has its share of logistical challenges – and we love a good challenge because it inspires us to get extra creative. Our process never leaves things to guesswork. When we discovered that the bed, as originally designed, could not be brought up the stairs or through the windows, we had to go back to the drawing board (literally) to custom design a version that would fit.
L to R: Verifying stairwell and doorway dimensions; studio drawing of the custom pieces and parts; Ironware‘s workshop with assembly pre-shipment.
| SOFTGOODS |
// Master Bedroom roman shades & softgoods
Tailored, functional, bespoke. We designed the window treatments and pillows to complement the quietly sophisticated scheme in the master bedroom. Troubleshooting tricky corners and sourcing one-of-a-kind details makes all the difference.
Top: Detailed site measures and schematic review; finished product! Bottom: A pillow workorder; a treasure chest of trim; a well-styled bed.
Stay tuned — Next week we’ll bring this project full circle and share our install with you! And in case you missed the other West End posts, check them out here and here.
xo, Huntley & Co.
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West End Process :: Envelope
For Huntley & Co., the first and foremost concern in design development is the “envelope”. TH can’t talk about it enough! Getting the envelope right – spacial relationships, interior architecture, materials and finishes – means a thoughtful, comfortable home that needs less stuff to look good.
| CONFIGURING THE SPACE |
Reconfiguring an interior is a process – it requires a lot of drawings and plenty of site meetings. It’s important to be as technical and thorough as possible while understanding there will likely be a few surprises and adjustments along the way.
Top photo: One of the pages in the H&Co. drawing set. Bottom L to R: Meeting with the contractor; a study of the circulation in a tight area; drywall in progress.
| MILLWORK |
Millwork is one of the most impactful aspects of an interior. When it’s done well, it can make the house. When it’s done cheaply, it’s like bad teeth – it doesn’t matter how pretty the face is. With this project, our main focus was to reconcile the incongruous architectural details throughout the home and create a more finessed envelope. This included doors, crown, paneling and custom mantels as shown below.
The mantels were designed to complement adjacent millwork for a quieter, more elegant presentation.
| MATERIALS |
Material selection – wood, stone, tile, metal finishes – sets the tone for the home’s atmosphere and lays the groundwork for decorative elements. When selecting a material, we keep everything else in mind. In a bathroom for instance: Are the windows facing north? What type of glass do the vintage sconces have? How white is the tub? These details are part of the “conversation” and influence what marble slab I approve and tile colors I select.
Top L to R: Slab for a fireplace surround; master bath materials, final wood selection for the library.
Bottom: The tile layout for the master bath was a hands-on (and ugh, thighs and knees) process that took several hours. Click photo for a video of the legendary H&Co. attention to detail.
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We hope you’ll join us next week when we’ll share more about the process of specifying furnishings and softgoods! Or take another look at our Concept: West End post to see how this project began.
xo Huntley & Co.
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West End Process :: Concept
One of our favorite Huntley & Co. projects this year was for a young couple who hired us to design and renovate their newly purchased townhouse in the West End neighborhood of Washington. Much to our delight, the duo brought a combination of sophistication and excitement to the endeavor. Translating that into a concept and then into a finished product was a multi-step process — and worth every minute.
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| THE CONCEPT |
Our clients inspired a decidedly cosmopolitan aesthetic. Accordingly, we imagined an eclectic mix of vintage and antique furnishings, unexpected stone and tile, and layers of complex colors and tones. As shown below, the mood board we created conveyed our idea of an elevated yet spirited home – a true classic that’s never boring.
Selected photos clockwise from top left: Cartier Tank watch via Goop; Timothy Corrigan vignette; a crisp Madrid living room by Isabel Lopez-Quesada; a bedroom from Architectural Digest; a corner of Sandra Nunnerley’s home featuring “Diamond” artwork by Kenneth Noland; an austere and elegant marble bathroom.
| HOW WE GOT THERE |
The start of a project is full of excitement and potential. Before diving into design, we take time to fully understand both the space and the client. On the technical side, we site measure the building and generate CAD drawings for study and revision. On the conceptual side, we issue a questionnaire and cull images related to our clients’ answers. The questions range from pedestrian to abstract and are intended to give us practical information as well as insight into their lifestyle and aesthetic.
// Question & Answer
A two page questionnaire sheds light on what’s important.
The client questionnaire is a key part of our initial survey and analysis.
// Pulling Together a Visual Story
We pull images that reference our clients’ feedback … and they share photos as well.
TRAVEL // From a honeymoon spot to favorites in Paris and NYC, these hotels topped our client’s list. L to R: Royal Mansour Marrakesh; George V in Paris; The NoMad Hotel in NYC.
FILM // Playful, witty and adventurous. L to R: Lock, Stock and Two Smoking Barrels; Amélie; The Man From U.N.C.L.E.
MUSIC // Eclectic and soulful music that bridges time and genres including the Hamilton soundtrack and Carla Bruni’s album, Quelqu’un m’a dit.
FASHION // Classic, all-American cool c/o Vince, J. Crew and Celine.
INTERIORS // Rich and sleek. Warm and bright. Tailored and organic. L to R: Interior by Joseph Dirand includes works by Anish Kapoor, Pierre Jeanneret and Paavo Tynell; Patricia Urquiola collection for Georg Jensen; a sculptural Alvar Aalto chair; master suite cabinetry seen on Pinterest.
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We love the conceptual stage of a project. Engaging in a thorough deep dive to excavate both the practical and the magical is the difference between a good project and a great one. Stay tuned for our next post where we transition into design development and project management — when we make the concept a reality.
xo, Huntley & Co.
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Edgemoor Sunroom :: Part III
Developing a thorough drawing set is critical to the success of all Huntley & Co. projects. It’s the technical backbone of the design, ensuring precision and accuracy. The Edgemoor sunroom features two expansive nano walls, a seamlessly integrated reflecting pool and a dramatic skylight. With fenestrations composing 90% of the room, it was important to consider the furniture and its arrangement carefully. We worked through an endless stream of floorplans to maximize circulation, engage the views and allow for both conversation and lounging. And we selected pieces that spoke to a luxurious “camp” style (think Out of Africa or Lawrence of Arabia). An abundance of comfort promises a room that is open, yet absolutely intimate.
— The Floorplan —
It always starts with the floorplan; a birds-eye view provides a wealth of knowledge. Drawing everything (walls, windows, doors, floor vents, etc.) to the exact measurement is critical. Because an inch can be the difference between a flawless installation and a costly mistake.
As shown in the floorplan above, pulling the furniture into the center of the room creates circulation space.
— The Study of Furniture & Lighting —
Each and every piece that goes into our projects is vetted for size and scale. We collaborate with our vendors to verify, and sometimes adjust, dimensions down to the 1/16″ — ensuring the best possible function and fit.
Drawings above include the custom console and sofas, pedestal table and the Huntley sconce from Urban Electric Co.
— The Perspective Drawing —
Perspectives are exciting because they allow us to “pull a design up” and study the relationship between architecture and décor. The Edgemoor sunroom is visually complex – from the dramatic skylight to all those windows – so it was important to implement décor that would complement, not compete with the envelope. A neutral palette, low slung furnishings and layers of softness add the right amount of quiet.
Our perspective drawing illustrates how open the sunroom becomes when the nano doors are retracted. The layered rugs and sheer drapery panels at the perimeter help create intimacy.A room like this is, without a doubt, a design challenge. Generating meticulous drawings allowed us to tackle the project in an informed, confident manner. With that, seeing our drawings “go vertical” during the construction process is when the real fun begins. Well, typically. Our next post will include on-site progress photos replete with a little unexpected drama. Stay tuned!
xo, Huntley & Co.
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Edgemoor Sunroom :: Part II
Our Edgemoor clients are long-time residents of Bethesda, a neighborhood of beautiful homes, large backyards, and gracious sidewalks. A variety of architectural vernaculars decorate each tree-lined street thereby giving us license to explore a pastiche of design styles. We devoted countless hours and many team meetings to perfecting the architectural and decorative intentions of their sunroom in order to craft a space with the perfect blend of traditional and modern styling. It was especially relevant for us to carefully study how the new sunroom would meet and interact with the landscape, establishing a strong indoor/outdoor feel.
— NEIGHBORHOOD VERNACULAR & INSPIRATION —
The sunroom addition is quite modern and acts as a counterpoint to the traditional envelope of the house. Because of the room’s strong geometry and metalwork, it was key that our interior selections complement and soften the space.
— FABRICS & FINISHES —
Textured linens, verdigrised metal, hand-molded porcelain and mother-of-pearl inlay are layered into the space. Plaster walls, cerused oak, and embroidered trims also add to the tactile, warm design.
This project has seen seasons come and go and reminds us that projects, especially of this caliber, take time. Dozens of hands, ours included, have touched this space. From architects and builders, landscape designers and decorative finishers, to a variety of workrooms and the clients themselves — the phrase “it takes a village” has become especially relevant. We look forward to sharing more with you next week as we get one step closer to the big reveal!
xo, Huntley & Co.
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THE MUSINGS OF DESIGNER TRICIA HUNTLEY
